You guys had your shot, now it’s my turn to play God with the Golden Globes. I’m starting off with the comedies because most of those are shows that I’ve actually seen. I’m only one man — I can’t be expected to watch all those damn cable dramas.
Sadly, there won’t be a real awards show to look forward to, but Kathy Griffin and Matt Lauer will be co-hosting some sort of Dateline pre-show. That should be good, right?
Best Comedy: 30 Rock
Let’s start off with a bang — the biggest award of the night, as far as I’m concerned. I think that even if justice had been served and The Office pushed off nominees like Entourage, 30 Rock would still be deserving of the award. There’s no other show that combines silly and smart the way 30 Rock does. It has more memorable moments per episode and more jokes per minute than any other show on TV. Hot on its heels is Pushing Daisies — 2007′s best new series. There’s nothing wrong with the show to put in second place, I just think that 30 Rock is a tough act to follow.
Best Actor in a Comedy: Alec Baldwin
I’m not going to offer an explanation for this choice except to say that this scene should earn Alec Baldwin a Golden Globe, an Emmy and a place in all of our hearts.
Best Actress in a Comedy: Mary Louise Parker
I realize that a lot of people, myself included, would almost always defer to Tina Fey in every poll. We all love her so much and want to be her when we grow up. But I found myself constantly amazed and Mary Louise Parker’s performance this season on Weeds. Her character, Nancy Botwin, is such a lovable psycho — she’s a complete mess, but still manages to remain a resilient mother lion in the face of ridiculous adversity. Parker has this glassy-eyed innocence that makes you root for Nancy, all the while maintaining this detached, badass facade. It’s really amazing. If you haven’t already, pick up the first season of Weeds on DVD, invite some friends over and have a little marathon with a theme drink.
As far as Tina goes, the reason I didn’t choose her was because I feel like the material really sells itself. It’s not a dig on her, but it’s a credit to the writing staff. She had some great moments (her Jerry Seinfeld crying voice, etc.), but Parker’s role was much more challenging.
Best Drama: Big Love
I’m not going to lie — this choice was largely arbitrary. I’ve seen a few episodes of Big Love and, even though I didn’t really know what was going on 100% because I had just started watching, I could tell that the performances were great and the writing was effective. It’s everything we love about HBO dramas. On the other hand, I’ve just never seen Damages, Mad Men, or the Tudors. Grey’s Anatomy doesn’t deserve award show love, as far as I’m concerned, and I stopped watching House a while ago because I don’t really see what everyone sees in House’s one-note character, the show’s dull supporting cast and formulaic episodes. That sounded kind of harsh.
Best Actor in a Drama: Michael C. Hall
There are two reasons why Michael C. Hall deserves this award: Dexter Morgan and David Fisher. Hall’s complex, restrained performance as Dexter would be reason enough to give him the award. But I still think it’s an injustice that Six Feet Under never got its due in term of awards, including Hall’s performance as David. Hall is one of those actors that just slips into a character’s skin perfectly. It’s a credit to him that I never think of Six Feet Under when I’m watching Dexter — he has embodied the character so fully that it makes me forget my all-time favorite show.
Best Actress in a Drama: Edie Falco
Again, the only two shows I watched in this category were The Sopranos and Medium. Well, I saw the first season of Medium and I know that Patricia Arquette is the worst actress on any screen, big or little. By default, I’d choose Falco, but I gladly do it. Between her unbalanced character of Carmella and her appearances on 30 Rock, there’s a lot to like about her.